The three-track ‘OnlyL’ EP finds a fertile middleground for TSHA to explore and experiment within. In scarcely thirteen minutes, she fuses her pop songwriting flair with grooves influenced by her time behind the decks and in muddy fields. The self-titled opener is a fantastic example of that; she surrounds Nimmo’s superb vocal with spritely hooks and melodies, knowing that much of the hard work – that heavenly pre-chorus – has already been completed.
TSHA had just released their ‘Flowers’ EP, a new string to the London DJ’s bow, fusing her rock and pop skills into dancefloor groovers. The November release was influenced by a family revelation and the discovery of a long-lost sister, resulting in joyous creations as the foundations around her shifted ever.
TSHA is a fan of revelations and evolutions. To stay inspired and engaged, she “wants to make sure that I’m always changing” so that when the eventual debut album arrives, “people shouldn’t be confused” about who she is and her musicality, she told NME last year.
